Coming full-circle with "Joy!"

Coming full-circle with "Joy!"

My love affair with watercolour started almost ten years ago. But, before I am run away with by my feelings on this subject (I just finished reading “Pride and Prejudice”… Can you tell?), allow me to share a bit of a back-story:

Ever since I can remember, I loved to create. I had art as a subject all throughout school and loved drawing mediums (specifically pen and pencil). At university, during my Graphic Design course, we had Illustration as subject. In my first year, we touched on a large variety of mediums, including watercolour. From my second year, the pressure and expectations from other subjects became too much for me, and I struggled to keep up with Illustration assignments. I stopped drawing altogether, rather opting to complete Illustration assignments digitally - a shortcut solution, and one that did not serve me at all! I almost failed Illustration finals multiple times throughout my four year degree - a heartfelt blow to someone who always thought of themselves as creative and artistically proficient.

Sadly, instead of bringing me joy, creating art became a burden. It wasn’t until six years later that I endeavoured to create art again:

My love affair with watercolour started almost ten years ago. Alex and I were about to get married and start our life together on South African soil (we met while working on cruise ships; he’s Ukrainian). We were strapped for cash, so we had to get creative with gifts for our wedding party. Since our Best Man - my high school bestie - loves wild dogs, I decided to create an artwork for him.

I can’t remember why I decided on watercolour instead of my used-to-be-beloved drawing mediums, but I was probably influenced by what I learnt of watercolour at uni — watercolour is considered a relatively “quick” medium (we were strapped for time too!): In the early 19th century, the masters used watercolour primarily as a sketching tool to plan their “finished" work in oil or engraving!

Whatever my motivation was to try my hand at watercolour, the results were undeniable: I fell in love with the medium and back in love with creating art! I felt absolutely at home in front of that easel… And for the first time in… forever, I knew what I wanted to do with my life. I wanted to be an artist!

That painting marks the start of my happy struggling journey.

wild dogs by the happy struggling artist 2025

 I didn’t plan it, but now - almost ten years later - it feels like I’ve come full circle by painting another painted dog! It's incredible to see how far I've come. It's humbling to realise how long I've been painting...

I’ve aptly named the new wild dog “Joy!”, and it will very aptly live out its days side-by-side with my first wild dog artwork in my bestie’s home.

wild dog in watercolour work in progress 001
wild dog in watercolour work in progress 002
I always finish an eye first. It helps to see me through (no pun intended!) the whole process. When parts of the painting are in the dreaded "Ugly Phase", making me feel like it's too difficult or that I've messed up, I look at the pretty eye and remind myself that it's a process, and eventually, I'll get there!⁠ ⁠ It's a good lesson for life in general -- focus on what is good and beautiful, and all that is challenging and ugly will pass or become more bearable.
wild dog in watercolour work in progress 003
wild dog in watercolour work in progress 004
wild dog in watercolour work in progress 005
The chest is bound to be one of the coolest bits of this dog - all those delightful curls!!! This doggo happens to be running through water and it's chest is nice and wet!⁠
wild dog in watercolour work in progress 006
I needed a break from all that intense chest fur, so I jumped over to the back-end of this playful pup. The tail was loads of fun to paint! And, pretty quick since half of it is white and just needed a very delicate wash to add some shape and texture to it. Remember - there is no such thing as white watercolour - to create white, you have to leave the paper paint-free!
wild dog in watercolour work in progress 007
wild dog in watercolour work in progress 008
wild dog in watercolour work in progress 009
My "lifting" buddy: The Prime Art Bianco 007. Okay, okaaaaaay -- just 00... Spoilsport!⁠ ;) "Lifting" is a technique used in watercolour to remove paint from the paper to create lighter areas, add detail or even fix minor mistakes. One of the many challenges of watercolour is the fact that paint already applied to your paper comes back alive when water is added to the surface. Eek!
wild dog in watercolour work in progress 010
This African wild dog is about to get wet! Literally and figuratively — I’ve moved over to our kitchen table to work flat, because I’m about to add the water that this doggo is running through. I’ll be using a lot more water than usual (I actually work very dry, which is why I can work upright on an easel without gravity being too much of a problem) to add large sections of colour.
wild dog in watercolour work in progress 011
wild dog in watercolour work in progress 012
Left: At this point I thought I had ruined the painting... I hated how the water looked! Right: After stepping away from the painting for a day or so (and drinking lots and lots of tea!), I decided to push through. I felt quite relieved after adding some splashing below the dog's feet. I think what really bothered me about water on the left was the fact that there was a major disjoint between the dog and the water. It didn't look like one cohesive piece yet, which made the water look really strange and pretty ugly (don't you just love an oxymoron?!).
wild dog in watercolour work in progress 013
After a lot of layering, the water is much improved. Now for the final flourish: adding a lot of wild water droplets flying through the air!
wild dog in watercolour work in progress 015
wild dog in watercolour work in progress 016
wild dog in watercolour work in progress 017
wild dog in watercolour work in progress 018
For my fellow watercolour enthusiasts -- the colours that I used for this one, top to bottom are: Payne's Grey, Ultramarine, Burnt Umber, Burnt Sienna and Yellow Ochre.
wild dog in watercolour work in progress 014

The reference photo for “Joy!” was expertly captured by wildlife photographer, Riaan Botha (find him on Instagram), and shared with permission. This playful pup makes for an excellent final addition to my “Move!”-series, that will be featured in my not-just-another-calendar 2025 Wildlife Calendar (now available to pre-order in my online shop!). Although this original has already found its forever home, I also have 20 limited edition, fine art prints of “Joy!” available in my online shop. These are NOT just prints -- not only is the likeness to the original uncanny, they are also exquisite in quality!

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